1460 and is a 37 x 27. shipping: + $7.96 shipping . A contemporary described him as proud, eloquent, ambitious, and clever. Rogier van der Weyden, Portrait of a Lady (X-Ray) Sharp, interlocking shapes produce a severe balance of form in this portrait. The buff-coloured hennin headdress is draped with a large transparent veil, which spills over her shoulders, reaching her upper arms. 1430 - 1504. Their spare formalism and mannered aspect were well matched to an aristocratic ideal of control, which was itself no less an expression of power than the lavish displays of luxury textiles, gold, and gems for which the dukes of Burgundy were known. Philippe de Croÿ served both Philip the Good and Charles the Bold, although his family’s relations with the dukes were at times strained. Closed, Sculpture Garden It was not until Hans Memling (c. 1435–1494), a pupil of van der Weyden, that a Netherlandish artist set a portrait against an exterior or landscape. In 1432 he was accepted by the guild as an independent master, and by 1435 had moved to Brussels, his wife’s home, where he was appointed official city painter the following year. The shallow planes of her face, painted in a spare, linear manner, are made more abstract by the exaggerated proportions created by then-fashionable plucked brows and hairline. Koninklijk Museum voor Schone Kunsten, Antwerp. He was, however, together with Jan van Eyck, the greatest painter working in the Low Countries in the 1400s. This portrait of a young lady by Rogier van der Weyden is dated at around 1460 and must be considered one of the finest contributions by any artist in this genre. Rogier van der Weyden, Portrait of a Young Lady, c. 1440. Portrait Of A Lady 1460 Rogier Van Der Weyden Stock Photos and Images (18) Page 1 of 1. Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də(n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Van der Weyden was preoccupied with portraiture towards the end of his life and like Van Eyck used dark backgrounds to focus the attention on the sitter. 6th St and Constitution Ave NW National Gallery of Art, Washington DC Washington, DC, United States. From Wikimedia Commons, the free media repository. The gold filigree decorating her belt, the folds creasing her transparent veil, her delicate lashes, all seem very real. He settled in Brussels and was quickly appointed the city’s official painter, giving him the opportunity to … The woman, who is probably in her late teens or early twenties, is shown half-length and in three-quarters profile, set against a two-dimensional interior background of deep blue-green. The pot of oil with which she anointed Christ’s feet – … This print is ready for hanging or framing. Washington, DC, United States This painting is an outstanding example of the abstract elegance characteristic of Rogier's late portraits. Download a digital image of this work, Rogier van der Weyden, Portrait of a Lady, c. 1460, oil on panel, Andrew W. Mellon Collection, 1937.1.44. Staatliche Museen zu Berlin, Gemäldegalerie. The composition is built from the geometric shapes that form the lines of the woman's veil, neckline, face, and arms, and by the fall of the light that illuminates her face and headdress. Compare the less abstract quality of this portrait painted earlier in Rogier’s career. Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də(n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. Musées Royaux des Beaux-Arts, Brussels. Born in Tournai in 1399 or 1400 to a family of the rising merchant class, he may have received a university education. Download this stock image: Rogier van der Weyden - Portrait of a Lady - F46JMR from Alamy's library of millions of high resolution stock photos, illustrations and vectors. 7th St and Constitution Ave NW The vivid contrasts of darkness and light enhance the almost unnatural beauty and Gothic elegance of the model. The early facts of Rogier van der Weyden’s life are unknown, but he entered the atelier of Robert Campin at the age of 27, where he would adopt his master’s detailed naturalism. He holds an arrow that signifies his victory in an annual sporting contest for which he received the title of the “king’s archer.”. 34 in the de Vos catalogue raisonné of the artist. Isabella of Portugal was the wife of Philip the Good and mother of Charles the Bold. $50.85. He was raised in and spent most of his life at the Burgundian court. He lived in Brussels for the rest of his life but during the Jubilee year of 1450 he traveled to Italy and enjoyed an international reputation. She is slender and depicted according to the Gothic ideal of elongated features, indicated by her narrow shoulders, tightly pinned hair, high forehead and the elaborate frame set by the headdress. 4th St and Constitution Ave NW Rogier van der Weyden, Portrait of a Lady (X-Ray). Rogier van der Weyden, Francesco d'Este, c. 1460. Toward the end of his career he created a number of elegant portraits for the Burgundian court, many of which were paired in diptychs with devotional panels. The hammer he holds is connected with tournaments, the ring perhaps a tournament prize. The duke wears the gold collar of the Order of the Golden Fleece, which he established. Portrait of a Lady, a.1460 Rogier van der Weyden (c.1399/00-1464) Location: National Gallery London United Kingdom Original Size: 37 x 27.1 cm Her down-turned eyes and nervously pressed fingers suggest introspective emotion. The painting has been in the National Gallery of Art in Washington, D.C. since donated in 1937, and is no. His portrait was part of a diptych with the Virgin and Child. Portrait of a Lady by: Rogier Van Der Weyden Portrait of a Lady was created in ca. The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, en.wikipedia.org/wiki/Portrait_of_a_Lady_(van_der_Weyden), 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/Portrait_of_a_Lady_(van_der_Weyden), Portrait of a Young Woman in a Pinned Hat, St. Luke Drawing a Portrait of the Virgin Mary. He adapted his own aesthetic, and his portraits of women often bear a striking resemblance to each other. In this work, the woman's humility and reserved demeanour are conveyed through her fragile physique, lowered eyes and tightly grasped fingers. Charles the Bold was Duke of Burgundy between 1467 and 1477. Rogier’s most celebrated works are large altarpieces, but he also painted smaller devotional pictures and secular subjects, including civic murals (now lost) for the city of Brussels. First and foremost, artist Rogier van der Weyden was devoted to the work of fellow artist, Jan van Eyck. While a few of his paintings can be documented, not a single signed or dated work survives. 1927 Antique Print Portrait of a Man Rogier van der Weyden Painting Flemish Art. Van der Weyden’s original Portrait of a Lady, was painted c.1460 on panel and is currently situated in The National Gallery of Art in Washington DC. View in Augmented Reality. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). File; File history; File usage on Commons; File usage on other wikis; Size of this preview: 437 × 599 pixels. Notice how the fall of the veil over the sitter’s shoulders responds to the V of her neckline, and how her body divides the deep blue-green of the background into framing triangles. Name: Portrait of a Lady Date: 1460 Artist/Architect: Rogier Van Der Weyden Period/Style: Northern Renaissance Original Location: Flanders Material/Technique:oil on panel Function: commissioned portrait of an unknown young woman whose dress and bearing imply noble rank. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Rogier van der Weyden, Portrait of Charles the Bold, 1460. Portraits by Rogier van der Weyden and Workshop. Courtesy National Gallery of Art, Washington, D.C., Andrew W. Mellon Collection, 1937.1.44 Nevertheless, the fame of Rogier van der Weyden quickly waned, and no painting by him had been signed or dated. Francesco d’Este was the illegitimate son of Lionello d’Este, Duke of Ferrara. Art Institute of Chicago. The overall Paper Size is 20 x 28 inches and the image size is 20 x 28 inches. Rogier painted him before the death of his father, Philipthe Good. Van der Weyden's attention to the structure of the clothing—the careful detailing of the pins pushed into the veil to fix its position—is typical for the artist. The clearest element to have transitioned from Van Eyck's paintings to his keen followers' would have been in iconography, that is the inclusion of items around the scene which provide additional symbolism to the main figures or features. Painted originally by: Workshop of Rogier van der Weyden Read 1200+ customer reviews Commission your own museum quality hand painted reproduction of " Portrait of a Lady " on a high quality cotton-linen canvas, originally by artist Workshop of Rogier van der Weyden . Rogier van der Weyden and Workshop, Portrait of Jean Gros, 1460/64. His portrait was part of a diptych with the Virgin and Child. He created a range of types - for portraits and for religious subjects - which were repeated throughout the Netherlands, the Iberian peninsula, and even Italy, until the mid-16th century. Rogier van der Weyden, Portrait d'Antoine de Bourgogne ca. His portrait was part of a diptych with the Virgin and Child. Rogier van der Weyden, celebrated by contemporaries for the invention and intensity of his religious paintings, produced a number of portraits at the Burgundian court at the end of his career, from about 1450 until his death in 1464, apparently including this one. Portrait of a Lady Poster Print by Rogier Van Der Weyden (20 x 28) is a licensed reproduction that was printed on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. Notice how the fall of the veil over the sitter’s shoulders responds to the V of her neckline, and how her body divides the deep blue-green of the background into framing triangles. The background is flat and lacks the attention to detail common in van der Weyden's devotional works. Rogier van der Weyden - Portrait of a lady. Portrait of a Lady, oil on panel by Rogier van der Weyden, c. 1460; in the National Gallery of Art, Washington, D.C. 34 × 25.5 cm. Some have suggested it represents the artist’s wife. His inventiveness and emotional intensity influenced other artists well into the 16th century. Stay up to date about our exhibitions, news, programs, and special offers. Rogier van der Weyden, Portrait of Laurent Froimont, c. 1460. Although van der Weyden did not adhere to the conventions of idealisation, he generally sought to flatter his sitters. The woman wears an elegant low-cut black dress with dark bands of fur at the neck and wrist. It is the only known portrait of a woman accepted as an autograph work by van der Weyden, yet the sitter's name is not recorded and he did not title the work. Portrait of a Lady Rogier van der Weyden c. 1460. Rogier van der Weyden Like most of Rogier van der Weyden's portraits, the story behind this painting is as unknown as the woman portrayed. Rogier van der Weyden was one of the most influential painters of the fifteenth century. In this work the flat setting allows the viewer to settle on the woman's face and quiet self-possession. The J. Paul Getty Museum, Los Angeles. Portrait of a Lady, Rogier Van Der Weyden, 1460, oil on panel Early Northern Ghent Altarpiece, Jan Van Eyck, 1432, oil on wood Early Northern Isaac and His Sons, Lorenzo Ghiberti, Gates of Paradise, 1425-1452, gilded bronze Early Italian Van der Weyden reduces his focus to four basic features: the woman's headdress, dress, face and hands. Van der Weyden was preoccupied by commissioned portraiture towards the end of his life and was highly regarded by later generations of painters for his penetrating evocations of character. Amazon.com: 'Workshop Of Rogier Van Der Weyden-Portrait Of A Lady, about 1460' Oil Painting, 20x27 Inch / 51x69 Cm, printed On High Quality Polyster Canvas, this Imitations Art DecorativeCanvas Prints Is Perfectly Suitalbe For Study Decoration And Home Decor And Gifts: Posters & Prints She is defined more by contours than by three-dimensional forms, except in her full, sensual mouth. c. 1455, 37 x 27 cm, Oil on wood, National Gallery of Art, Washington, D.C. Andrew W. Mellon Collection Museum of Fine Arts, Boston. Her dress is buckled by a bright red sash pulled in below her breasts. Whilst the model herself has never been identified, she is immediately memorable. Royal Library of Belgium. Philip the Good stands beneath the canopy. Luke was the patron saint of painters, and it is possible that Rogier used his own likeness for the saint's face. Rogier van der Weyden A young lady in an extravagant green dress sits on the floor, reading. Jump to navigation Jump to search. The sitter in this small work wears a wide, white hennin over a brown dress, which features a black-lined, v-shaped neckline. Staatliche Museen zu Berlin, Gemäldegalerie. Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. John William Waterhouse, The Lady … He depicted his models in highly fashionable clothing, often with rounded—almost sculpted—facial features, some of which deviated from natural representation. Rogier van der Weyden, Portrait of Philippe de Croy, lord of Sempy. Triangular forms abstract and flatten her image, giving it a formal elegance that underscores her aristocratic reserve. The Burgundian court by the Metropolitan Museum of Art, NGA Images Closed, East Building Her clothes are of the then-fashionable Burgundian style, which emphasises the tall and thin aesthetic of the Gothic ideal. $6.62. Musee des Beaux-Arts, Dijon, France. Such works reveal a number of shared features such as the plain backgrounds in a range of dark or light tones and the presentation of the sitters, generally shown bust-length. He was internationally famed for the naturalism of his detail and his expressive pathos. Oct 16, 2020 - Portrait Of A Lady By Rogier Van Der Weyden Wall Art, Canvas Prints, Framed Prints, Wall Peels Rogier van der Weyden: Portrait of a Lady. With her poised air of dignity and the fact that she could afford to commission a portrait as their only clues, scholars speculate that she is a member of the nobility. If so, it would be his only surviving manuscript illustration. Musées royaux des Beaux-Arts de Belgique, Bruxelles. Charles was also known as Charles the Rash. © 2020 National Gallery of Art   Notices   Terms of Use   Privacy Policy, Rogier van der Weyden, Portrait of a Lady, c. 1460, Musées royaux des Beaux-Arts de Belgique, Bruxelles. The background has darkened with age; it is likely that the angles created by the sitter's hennin and dress were once much sharper. This is a workshop copy of Rogier’s portrait. Last one. The composition is built from the geometric shapes that form the lines of the woman's veil, neckline, face, and arms, and by the fall of the light that illuminates her face and headdress. Chroniques de Hainaut. Closed. In these hinged two-panel works, the sitter, typically on the right, was depicted in prayerful attitude toward a religious image, usually the Virgin and Child, on the opposite panel. Essay This painting is an outstanding example of the abstract elegance characteristic of Rogier's late portraits. The composition is built from the geometric shapes that form the lines of the womans veil, neckline, face, and arms, and by the fall of the light Although she wears fifteenth-century clothing and is in a medieval room, she is a biblical figure: Saint Mary Magdalene. Philip the Good was Duke of Burgundy from 1419 to 1467. Rogier Van Der Wyeden was a painter of the 15th Century known for spot on portrayals of a person's character through his work. Because this woman's identity is unkown all we The court was the mid-15th century’s most magnificent and established tastes for virtuosity and refinement across Europe. Some believe that she is depicted in Jan van Eyck’s Annunciation in the National Gallery of Art. Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility. This is a copy of Rogier’s portrait. File:Rogier van der Weyden - Portrait of a Lady - Google Art Project.jpg. Her name is lost to us, but she was likely at the court of Philip the Good, Duke of Burgundy. It has been described as "famous among all portraits of women of all schools". With him, on his left, are the 15-year-old son who would succeed him as duke, Charles the Bold, and probably his older, illegitimate son, Antoine, the Grand Bastard of Burgundy. Workshop of Rogier van der Weyden, Portrait of Isabella of Portugal, c. 1450; later additions c. 1500. Like his contemporary Jan van Eyck (c. 1395 – 1441), when working in portraiture, he used dark planes to focus attention on the sitter. Rogier van der Weyden - Portrait of a Lady - Google Art Project cropped.JPG 476 × 552; 249 KB Rogier van der Weyden, Portrait of a Lady, c. 1460, NGA 51.jpg 2,923 × 4,000; 10.91 MB Rogier van der weyden, ritratto di donna, washington, dettaglio mani.jpg 802 × 670; 407 KB Portrait of a Lady is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. Learn more. He began his artistic career uncharacteristically late for the period, entering the workshop of Tournai’s foremost painter, Robert Campin, when he was already 27 years old. Studio of Rogier van der Weyden, Portrait of Philippe III le Bon (1396-1467), duke of Bourgogne. Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. Little is known about the life of Rogier van der Weyden. Rogier van der Weyden, Saint Luke Drawing the Virgin, c. 1435-40. The alternation of black and white in her dress, bodice, and veil are relieved only by a red belt (which x-rays show was altered from her original even more slender waist). The miniature on the dedication page of the Chroniques de Hainaut is believed by many to have been painted by Rogier. Attributed to Rogier van der Weyden, this work is a fine example of his activities as a portraitist, a genre on which he particularly focused in the last phase of his career. The elegant, stylized lines of the sitter’s face and hands are among the qualities that established Rogier’s supremacy as a court portraitist in the Netherlands. Yet we sense that this woman is at some remove from the world and from us. A view of the Burgundian court shipping: + $20.00 shipping . Rogier van der Weyden was one of the most profound and influential painters of the 15th century. 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